Here's something a bit different. I think we underestimate the power of the aerial or 'plan' views in our productions. The BBC series 'Planet Earth' made a breakthrough in this respect with stable aerial shots that could shoot a full frame face of a polar bear from 2000 ft above - not cheap because they used a gyro-stabilised mount rented from Panavision L.A. (I think) at about $6000 a day plus helicopter.
Here is a cheaper alternative: "Skybot" - currently under development by a colleague of mine :
http://www.youtube.com/user/SarahHughLavenderIt also demonstrates that the 'making of' type shots are often more interesting than the film (not sure it should be that way though.)
Or if you are feeling flush:
http://spacecam.com/company/news/Enjoy!